Introduction to
'Panoramic Views' Galleries
By Mark Wilman


Creating a panoramic photograph the slow way, by this I mean not using a phone offering the result in 10 seconds, requires investment in time and equipment, the heavy to carry for distances type. The advantage is control over the final results and quality of images for eventual printing. The disadvantage is that it doesn't work when things are moving, like branches, boats and water, or my model's hair.

The reason for this is that a panoramic image taken the more traditional way requires a number of images to be assembled, or 'sewn together', with software, meaning those images need to be taken in succession with manual hand movements turning the camera from left to right or vice versa. These movements oblige time intervals which, no matter how small, see inevitable changes of details in motion. Imperfections caused by movement can be remedied, i.e. wave movement with irregularities, but more often than not, it's too difficult to create a natural feel.

Grey skies are also a problem: the software isn't up to the task of pinpointing enough elements to build the result. Also, the lower sun in fresher months often compromises outcomes from the beginning by forcing too much white light into one side of a multi-shot image; selecting exposure before shooting becomes complicated since the result could easily be an over exposed left side followed by a pitch black right.

With these difficulties in mind, the approach to panoramic photography becomes more specific, only done when conditions are right. The Cyclades islands are notoriously windy, limiting opportunities to only a few days per month, meaning that if during those few days there's an abundance of grey cloud, the chances of success are decidedly slim.

That said, I've enjoyed many occasions with the gear: climbing vertically several meters, getting stuck midway and having to grip onto thorns to reach a vantage point comes to mind, or leapfrogging over a chain of spine-like boulders on the top of a mountain with steep descents on either side.

At a recent exhibition of mine on Ios, the former director of a top museum in Athens and famous Greek archaeologist complimented the panoramic pictures on display particularly for their beauty and details, which I appreciated, of course.

Mark at Episkopi, Sikinos